Name:  Rego

Studio:  Visual Arts

How did you get to your current place in photography:

I got my first camera when I was 5 years old. A Russian Plastic camera (Diana or so). At 9 I used to print my black and whites at home and by 13 I upgraded to color. Between 1979 and 1998, I worked and studied in many countries, mainly in Germany , but also in Russia and Italy. In the ‘80s, I started shooting for local magazines and advertising agencies to pay for college. After graduation in 1989 I started my own business and opened my 1st studio. Later on I moved to Paris and worked there for 5 years before I moved to US in ‘98. Currently aside from local weddings, commercial and portrait jobs, I freelance for some international image agencies including Getty and Wireimage and some magazines like World Tribune, etc.

Camera that you use:

I use a variety of cameras for different jobs. They range from Minox to 4x5 and anything in between. (Yes, I shoot film too). I also rent HD videos and digital backs for commercial work and my artistic projects. My standard camera is, however, a Canon EOS 1D-Mark II.

Your favorite lens:

It changes as fast as Texas weather. Canon 70-200/f2.8 I.S. is the one I use for almost any commercial or portrait assignment.

Your advice to photographers:

Capture the image right first time in the camera. Life is too valuable and too short to be spend behind the computer to fix the images.

Your favorite photography website:

There are many excellent photographers out there whose work I admire. In my (subjective) opinion the proper lighting is the most important factor of creating a good image. Lighting should elevate the composition to the next level. I love Scott Rea’s underwater photography for his very timeless, unique and complex approach. His underwater photographs are stunning. As if they were from another galaxy. http://www.scottrhea.com/ . I also love Troy Plota for his very dynamic compositions and for his über-fantastic lighting. http://troyplota.com/

What advice would you give to the first time buyers of Forbeyon albums?

“Give up the control”. As long as you have properly exposed images and a clear idea of what you want, the rest is easy. Just leave it up to Forbeyon designers. They will design your album for you and you can save a lot of time, money and heartache. I believe the photographer’s goal should be working behind the camera and not behind the computer.

How would you describe the product you receive from Forbeyon?

It exceeds my expectations every time and I get a lot of compliments from my customers. These albums promote me over time and in effect expend my client base. What I highly appreciate is their level of flexibility and readiness for adapting to new ideas. On top of that they are very fast and their customer service is the best I have ever experienced.

How do Forbeyon albums compare to others you've seen or used?

The quality and design of the albums are as good as or even better than many album companies I have had used in the past. What distinguishes Forbeyon from the rest is their excellent customer service and creative design.

How did you learn about Forbeyon?

I believe it was through word of mouth. I learned about Forbeyon through a good photographer friend of mine.

If you could create your ultimate album, what would it look like?

It would be a combination of brushed canvas on some pages and textured metallic paper on some other depending on the image.

As a photographer, what is your most important objective when shooting?

To exceed my client’s expectation.

How do you prepare for your wedding events?

Check my gear several times. Meditate, and visualize the ceremony and reception from beginning to end.

What is your most embarrassing wedding moment?

I mixed up the groom with the father of bride.